Résiliences Sonores
Sylure (with seven poems by Jacques Spacagna)
54'
Performance, music, text
Résiliences Sonores #63 broadcast (cur. Estebahn & WAV33)
Le Zoo/Usine, Geneva
2020
1. Love, Mica Levi, 2014, Milan
2. Le Diclan Cla Cloe, Jacques Spacagna, 1969, Archivio Conz
3. Turino Sun, Sébastien Tellier, 2016, Record Makers
4. Télégramme, Jacques Spacagna, 1969, Archivio Conz
5. Combat, Régis, 2016, Cheptel Records
6. Exploration, Jacques Spacagna, 1969, Archivio Conz
7. Before, Bibio, 2019, Warp Records
8. Dawson-City, Jacques Spacagna, 1969, Archivio Conz
9. Miguel El Salam, Forever Pavot, 2014, Born Bad Records
10. Epipopimal Épopée, Jacques Spacagna, 1969, Archivio Conz
11. Nymphomaniac (Instrumental), Gigi Flag, 2019, Club Meduse
12. Ode À Aude, Jacques Spacagna, 1969, Archivio Conz
13. Waiting For A Train, Moonbase, 1983, Il Discotto Productions
14. Virencrene Virencrine, Jacques Spacagna, 1969, Archivio Conz
15. +4531704090 2, Bjarki, 2016, trip
16. Hey Babe, Cassius, 1999, Virgin Records
17. Peindre sous des arches, Sylure, 2020
18. Han Pan, Peggy Gou, 2019, Gudu Records
19. Inventaire, Sylure, 2020
20. Axumisia V S612, Legowelt, 2017, Clone West Records
wav33.com
Service Trois Pièces
Service Trois Pièces
45’
Performance, typewriter, typed roll of canvas, projector, mindmap
Fureur de Lire, Théâtre Pitoëff, Geneva
2019
© David Wagnières
Reading of the nine-chapter book Service Trois Pièces in 2019.
During each performance, one or more of the chapters are read and recorded, then played in front of an
audience in a simple setting: a table, a chair and electronic devices placed on top of it.
Le Complot (The Conspiracy): screen shots from a smartphone are printed from a laptop. Always the same neutral background where merely the time is featured. The background was captured by chance throughout the whole of 2018, at each mirror hour.
Note sur les objets présents dans 17m2 (Notes on the objects found in 17m2): the map of this room is drawn on an overhead projector while its inventory is read.
Capital: a roll of typed cloth is unrolled from a typewriter as the inventory is listened to.
fureurdelire.ch/dimanche-24-novembre/126/
Noise Action Space Agency
Noise Action Space Agency
240’
Collective performance, sound, electronic devices, synthesizers, loudspeakers, projectors, microphone, painting suits, survival blankets, tables, pillows, ventilator, aluminium folders and pipes
Plein Air à Voltaire, Geneva
2019
© Plein Air
Seven artists form a collective. A room is designed to accommodate them, equipped with a quadriphonic sound system. The event takes place in a cellar on a weekday evening. Several instruments and machines are wired together. A beamer and an overhead projector are switched on at the back of the room. A sole microphone is also switched on, but not necessarily used. From the left- and right-hand walls survival blankets fall to the floor, converging in the middle of the room. The artists take up their places at the various stations. First one sound, then others, are launched from the machines, setting the rhythm. Drawings appear on the back wall; words can be heard. Someone reads or says something into the microphone. A person sitting behind one of the synthesizers gets up, walks to another instrument and changes places with the artist who was sitting there before. The sounds evolve together, while the drawings are sometimes interrupted by the coming and going of the artists. The room is filled with the presence of machines, the scenery, sounds and images. It is animated by the movement of the artists, the audience, and the risks of live performance; the whole performance lasts several hours.
W. Romane Chabrol, Luca Kasper, La Pièce, David Sentkar, Antoine Siron, Ilana Winderickx.
cigue.ch/9eme-edition-du-festival-plein-air/
Noise Action Space Agency
240’
Collective performance, sound, electronic devices, synthesizers, loudspeakers, projectors, microphone, painting suits, survival blankets, tables, pillows, ventilator, aluminium folders and pipes
DAF Festival, La Reliure, Geneva
2019
© Charlotte Alice Laurent
W. Romane Chabrol, Luca Kasper, La Pièce, David Sentkar, Antoine Siron.
facebook.com/events/la-reliure
Maï-Thu Perret – The Blazing World
The Blazing World
Conceived by Mai-Thu Perret
In the context of her exhibition Grammar and Glamour.
Written and performed by Tamara Barnett-Herrin, Jacopo Belloni, Giovana Belossi, Gregory Bourilly, Sylvain Gelewski, Juliet Lakhdari, Mai-Thu Perret, Angeles Rodriguez.
Spoken word and song by Tamara Barnett-Herrin.
Soundtrack by Layer V.
Costumes designed by Gregory Bourrilly and Giovanna Belossi.
Video by Juliet Lakhdari.
The performance was produced during a workshop at the work.master School of Art and Design (HEAD–Genève), and commissioned by Spike Island, Bristol, UK.
Badischer Kunstverein, Karlsruhe DE
2019
© Lisa Bergmann
badischer-kunstverein.de/index
spikeisland.org.uk/programme/events/performance-mai-thu-perret/
Capital
Capital
15’
Performance, table, chair, sheet, typewriter, typed roll of canvas, loudspeakers, text, sound
ACT Festival, Messe Basel
2019
© Christian Knörr
A text from Service Trois Pièces.
A roll of typed cloth is unrolled from a typewriter as the inventory is listened to.
act-perform.net/archiv
Capital
15’
Performance, table, chair, sheet, typewriter, typed roll of canvas, loudspeakers, text, sound
ACT Festival, Théâtre Saint-Gervais, Geneva
2019
© Aloïs Godinat
A text from Service Trois Pièces.
Controlled Unpredictability (w. Antoine Siron)
Controlled Unpredictability (w. Antoine Siron)
15'
Performance, electronic devices, loudspeakers, canvas, lacquer, tape, sound
ACT Festival, Théâtre de l'Usine, Geneva
2016
© ACT Festival
bit.ly/2nfNIYv
